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    "At this point I believe that any mixer out there should competently be able to do a mix in the box or on a desk, and be able to get a great‑sounding record either way, If I could, I'd work on an SSL 9000 every time, but I can't do that, because there would be recall and other issues to deal with. Will.i.am's Lost Change was the first record that I mixed entirely in the box, in my North Hollywood studio apartment, mainly due to the beer budget at the time. That was a great learning process, because I learned that you need to really focus on getting your digital gain structure right if you want things to sound really good. Plug‑ins also have a sweet spot. But when you know what you're doing, I don't think it really matters whether you are mixing in the box or on a console, you simply need to find a way to make it work. If you listened to a bunch of records that I mixed in the last couple of years, I defy you to tell me which ones were done in the box and which ones on a console.”-Dylan Dresdow. To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading.
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    Your philosophy is “less is more.” What is the key to that philosophy?When does it become too easy to do too much?If I can get away with it, I would rather stay cleaner and get out of it what I want. Even our system is built that way. It’s built so that even though we have all those choices, we only need to have in the circuit what we’re using. We have it so that we can bypass everything whenever we want to. We’ve got it built in such a way that if we’re not using one, we switch it out and it’s bypassed completely; it’s not in the circuit at all. It all adds up. A lot of this stuff you could say, “It’s in, it’s out, it’s hard to hear any difference.” Some of these things are very subtle, but they add up, and if you do a lot of manipulating, you get down to the end and all of a sudden it’s “What happened? That doesn’t do the same thing to me. It doesn’t have the presence and excitement that it used to have.” You go all the way back to what you started out with and you go, “Uh-oh, I’ve lost a lot here and I didn’t notice it because I got used to this sound. I added another thing, I got used to that, and all of a sudden we’ve gone too far.” That can happen in mixing, it can happen anywhere, where all of a sudden this thing isn’t what it used to sound like, so we have to be careful.To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading.Audio Engineering School in Chennai, Sound Engineering School in Chennai, Audio Engineering School in India, Sound Engineering School in India.