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    To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading. But you won’t capture the personality of the player with software?Michael Price : I’m not sure how developers are going to get over certain limitations, because the musical intelligence of a player and an orchestra are not looking at single notes in isolation. They understand what a phrase is and how that sits in the context of a whole cue. Consequently, wherever they are in a moment of time, they know where they’re going and where they’ve been.Very skilled sample programmers can try and add that expression, but there’s still an infinite range of variation – and I find, particularly with strings, even how a programmer uses vibrato is different with every note. I’ve seen some really smart AI learning systems, yet when you get a bunch of people to play the music, it suddenly comes to life and really stretches you.
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    First of all, how did you begin working in sound design?Johnnie Burn: I was actually at university working on a business degree, and I wasn’t geling with it. I thought “what am I doing here?” and I left to go get a job. A friend of mine was a film producer said there was a job open recording sound in London SoHo. He thought I’d love it because I was DJing at the time. It was luck that helped me fall into working as a runner in a recording studio. I worked my way up from that.I have been very lucky my entire career, both by starting my own company twenty years ago and working with Jonathan Glazer. I’ve done most of his work, and he really likes the details. He especially like works through the details face-to-face, and it’s very difficult to not learn a lot when you’re sitting next to one of the world’s best directors and he’s telling you why a piece of sound works with a shot.To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading.
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