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    To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading. “Writing music and writing music for visuals are almost like completely different art forms. With music you intellectualise the music, what the instrumentation should be, what you are saying with the lyrics and so on. With music for film, you are intellectualising the project itself, the characters and the scenes. Tom [Popperwell] and I spend a lot of time talking about the characters and their back stories, talking about the personalities, anything connected to the subject that might inform the score. We talk about that kind of thing more than we talk about the music itself. I get into the characters, how everything links together and how that relates to me in my personal life. Then you’re allowing your gut instincts and experiences to inform you.You have to try a lot of stuff out, push further than you think, hold back more than you might expect, experiment a lot until you feel connected to the show and the characters. I’m not going to go against the scene, character or vibe if it doesn’t work for the show. Otherwise it’s just an ego thing. If anything, I’ve got an ego for the complete project. You can write an incredible piece of music but if it doesn’t work for the scene, it doesn’t work, full stop.”-Neil Davidge
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    First of all, how did you begin working in sound design?Johnnie Burn: I was actually at university working on a business degree, and I wasn’t geling with it. I thought “what am I doing here?” and I left to go get a job. A friend of mine was a film producer said there was a job open recording sound in London SoHo. He thought I’d love it because I was DJing at the time. It was luck that helped me fall into working as a runner in a recording studio. I worked my way up from that.I have been very lucky my entire career, both by starting my own company twenty years ago and working with Jonathan Glazer. I’ve done most of his work, and he really likes the details. He especially like works through the details face-to-face, and it’s very difficult to not learn a lot when you’re sitting next to one of the world’s best directors and he’s telling you why a piece of sound works with a shot.To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading.
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