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    To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading.“Music in film, TV or games is just one of many layers and they all have to work together, I have to have a sense of what everything else in the film is doing, otherwise when it all comes together we’re probably going to be standing on each other’s toes. Often when I’m sending stems for mixing, I’ll be sitting there and listening to two instruments playing at the same time and I’m left wishing the cue had been that simple.There are two approaches, minimalist from the ground up, or minimalist by filtering layers out. I work the second way, throwing a lot of things in at first. If I didn’t have a deadline I could almost just keep going and adding new layers, I can get lost in that. But then I’ll strip things out and it’s like a breath of fresh air. I can see what’s happening on screen without the music distracting from it. I think, ’What are we trying to say here? There has to be one simple headline.’ That’s the thing I’m currently trying to work on more than anything else at the moment, being minimalist.”-Neil Davidge.
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    To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading. “My work is fun, It has to be fun to some degree, otherwise why get up in the morning? I’m driven by creativity and the thrill of working on a piece of music. Having said that, it can also be hard. At the beginning of a project I’m often filled with self doubt: ’Will I be able to come up with the goods? Do I have what this project needs?’ I have to force myself to do anything to get the ball rolling.Sometimes I start with a simple drone and see if that triggers ideas and approach the scene from the sonics up. Or I’ll often build a cue, starting with a simple string or piano pad, feeling my way through the scene melodically, going note by note until I have a kind of map that can be fleshed out with other instruments. If I’m not sure what the scene or project needs I’ll even temp the scene myself, either with archive material of my own or by other composers and artists.“I’m not afraid of the temp, It’s actually a great way to get inside the head of a director if they’ve been involved in putting it together. You can learn a lot about what works and doesn’t work in a scene, pick out hit points and even find out what tempo you should write at to begin with.Ultimately I have faith in the process. I do whatever I have to do, no matter how much music ends up on the cutting room floor. If I end up with a track like Teardrop, Angel or Risingson, and along the way I’ve gotten to work and hang out with inspiring and nice people – then it’s been worth it!”-Neil Davidge
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    To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading. “Writing music and writing music for visuals are almost like completely different art forms. With music you intellectualise the music, what the instrumentation should be, what you are saying with the lyrics and so on. With music for film, you are intellectualising the project itself, the characters and the scenes. Tom [Popperwell] and I spend a lot of time talking about the characters and their back stories, talking about the personalities, anything connected to the subject that might inform the score. We talk about that kind of thing more than we talk about the music itself. I get into the characters, how everything links together and how that relates to me in my personal life. Then you’re allowing your gut instincts and experiences to inform you.You have to try a lot of stuff out, push further than you think, hold back more than you might expect, experiment a lot until you feel connected to the show and the characters. I’m not going to go against the scene, character or vibe if it doesn’t work for the show. Otherwise it’s just an ego thing. If anything, I’ve got an ego for the complete project. You can write an incredible piece of music but if it doesn’t work for the scene, it doesn’t work, full stop.”-Neil Davidge
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    To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading. But you won’t capture the personality of the player with software?Michael Price : I’m not sure how developers are going to get over certain limitations, because the musical intelligence of a player and an orchestra are not looking at single notes in isolation. They understand what a phrase is and how that sits in the context of a whole cue. Consequently, wherever they are in a moment of time, they know where they’re going and where they’ve been.Very skilled sample programmers can try and add that expression, but there’s still an infinite range of variation – and I find, particularly with strings, even how a programmer uses vibrato is different with every note. I’ve seen some really smart AI learning systems, yet when you get a bunch of people to play the music, it suddenly comes to life and really stretches you.
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    “I’m convinced that across the globe all our music has evolved from the sound of the natural world, who has also used gases being released from melting icebergs as a sound source. Whether it’s mimicking birds or other animals, the sounds we’re excluded from living in have influenced us for a millennia. There’s significant cultural and spiritual attachment to not only the sounds but the places where they came from. Sometimes, folklore has actually informed scientific fact, and that’s one of the things that I’m fascinated by really.I like the idea of taking works into places and reconforming them into a visceral experience, Through my installations I get to create a space that you cannot represent in any other way. You can’t put it on a CD or you can’t make it as a digital download. You have to be there.”-Chris Watson .To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading.
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    "At this point I believe that any mixer out there should competently be able to do a mix in the box or on a desk, and be able to get a great‑sounding record either way, If I could, I'd work on an SSL 9000 every time, but I can't do that, because there would be recall and other issues to deal with. Will.i.am's Lost Change was the first record that I mixed entirely in the box, in my North Hollywood studio apartment, mainly due to the beer budget at the time. That was a great learning process, because I learned that you need to really focus on getting your digital gain structure right if you want things to sound really good. Plug‑ins also have a sweet spot. But when you know what you're doing, I don't think it really matters whether you are mixing in the box or on a console, you simply need to find a way to make it work. If you listened to a bunch of records that I mixed in the last couple of years, I defy you to tell me which ones were done in the box and which ones on a console.”-Dylan Dresdow. To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading.
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    What films would you recommend for people interested in learning more about sound design?Martin Hernández : I think that our favorite films are always those that achieve this coming-together, so the best way to appreciate this is through your favorite films, whatever they may be. And once you work on this you’ll understand ah! there was a piece of sound work; there was a piece of musical composition. That’s how you come to know interesting works, and the door opens because it’s your favorite film. Many of the films that I have loved don’t actually have great sound work. I love the general ambience in a film by Japanese director Nagisa Oshima, which is called Furyo or Merry Christmas Mr Lawrence (1983) and which is the story of a Japanese concentration camp during the Second World War, where they were holding British prisoners. There’s a really interesting relationship between David Bowie, who is one of the main actors, and Ryuichi Sakamoto, who apart from starring in the film was also its music composer. It’s a fantastic film and the music is incredible. Thanks to this film ‘el Negro’ and I became very good friends, because we were at school together, we worked together, and then we realized we had many tastes in common – we liked much of the same music and many of the same films. I’d been to see Furyo and he had too, he had the soundtrack and I didn’t, so he recorded it for me onto a cassette tape. We really admired Sakamoto’s music and the fact that he also acted in the film drove us crazy. Who knew that so many years later Sakamoto himself would give Alejandro a piece of music for Babel?So, Merry Christmas Mr. Lawrence is one of my favorite films. The sound work isn’t particularly special, but maybe that’s what makes it so efficient.To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading.
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