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    What are some things that can, or should be done during mixing to make the mastering process more productive for the mastering engineer? I think the best thing that I can recommend is very very simple; translation. Get out of your ivory tower, stop mixing all alone in your own little studio, and number one, take your recording around and listen to it on as many different systems that you may be familiar with, or maybe unfamiliar with if possible, and see how your mix is translating. If it’s not translating, generally go back to the drawing board and try mixing again to deal with that problem. That will solve almost 90% of the issues that could happen when you get into mastering, and save a heck of a lot of money too. The next thing is communication. If you’re thinking of mastering, and you have a mastering engineer in mind; as soon as you’ve finished your first mix and you think you’re happy with it, send it off to that mastering engineer for his or her criticism and judgment of how that mix is sounding to see if it’s ready for mastering or if there are further things that can be done in the mixing that would make an even better master. If you can take care of these two areas, you’re going to have an excellent master. The rest of what I could say is relatively specific to equalization or problems in different frequencies and more common issues that occur. But if you yourself as a mixing engineer do those two things I described, then almost all the other problems that could arise will become evident.
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