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    To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading."When I started working in television, I became aware that zoom lenses can fill the [television] frame with an animal's eye from a great distance. Sound technology can't do that. There is no audio equivalent of a zoom lens. So I became interested in getting microphones very close - into places, a lot of the time, where you wouldn't be able to, or wouldn't want to, put your ears.One useful device for that is the personal microphone - the tiny microphone you see on newsreaders' blouses and lapels every night on television. You can get them into all sorts of interesting places - in the side of a bird's nest, down an animal's burrow, on a branch, or in a bush where it can't be seen. There are a couple of times when I've gone down to pick up a microphone cable to be told at the last minute it's not a cable, it's a snake, That's happened in Africa in very dark conditions.”-Chris Watson
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    To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading.It helps me at 70 to still be able to play like a child Repetition doesn’t really exist. Have you ever had that situation where someone plays a loop of a little bit of language? Something like “something like”. [Repeats the words several times.] And then, after a little while, you’re hearing “sunlight”, or “am I light”, or “light me up” – the meaning keeps changing. So obviously you know it’s not changing, it’s you who are changing. Your brain is reconfiguring, reading it in a different way. So repetition is actually a chance for your brain to do the work. Your brain becomes the composer. I think repetition is a very, very useful exercise for humans, and I’m sure this is what people who meditate and do mantras and chant and so on have discovered.Many thousands of years before I did!-Brian Eno
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    To progress successfully into employment in today’s music industry takes a lot of hard work, focus, commitment and passion.Choosing to work in the music industry is not for everyone. It also requires a strong set of competent skills and a well developed ‘creative muscle’. We aim to support you in developing all of these areas during your time at DYNAMICS School of Audio Engineering .If you are passionate about building and developing your skills in sound engineering, music production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading. Could you define soundscape?Bernie Krause: R. Murray Schafer, the Canadian composer and naturalist, coined the word back in 1977. The soundscape is all of the sounds in a given habitat, whether generated by living or nonliving components. The nonbiological sounds are wind in the trees, water in a stream, waves at the shore, and even the movement of the earth. These were some of the first sounds on the planet.As organisms evolved, they began to produce their own acoustic signatures, which had to fit within the existing soundscapes. At first, human-made sounds, such as language and music, were also in harmony with nature, but in modern society most of the noise we make is chaotic: an airplane flying overhead, traffic on the street, the beeping of electronic devices. These noises don’t have any inherent meaning; we know a certain sound is an airplane or a car, but the rumblings aren’t intended to communicate any message. This sort of incoherent human noise can have a profound effect on certain organisms. It can cause chorusing frogs to lose their synchronicity. It can mask the sounds of other creatures, who may miss their chance to claim territory or locate a mate. The disruption and confusion also create a perfect opportunity for predators to make their move.Once we accept the idea that the soundscape is a valuable source of information — an extraordinary narrative we have yet to decipher — we open up whole new worlds to explore. And if we want to think about our impact on the natural world, then we’d better listen to what the nonhuman vocal organisms are saying in response.
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    If you are passionate about building and developing your skills in Audio Engineering, Sound Engineering, Music Production, studio recording, mixing and remixing, mastering, listening skills, creative music technology, synthesis, sampling, creative process, collaboration and much much more, then you should definitely carry on reading. SOUND EDITING COMMANDMENTS “Commandment 4 Thou Shalt Copy Thy Media Files from Thy Sessions Some looping and multitrack workstations give you the option of copying the media used in a session and saving it in the same folder as the session file. This can be very useful for a number of reasons. Hard drives can quickly become cluttered with files, folders, temp files, scratch sounds, and other digital clutter. As a result, you might inadvertently delete files that were used in your session the next time you clean out your hard drive. Remember, a session file is just an edit list — it only points to where the files are stored on your hard drive. By copying the used media to the same folder as your session file, you are keeping together all of the necessary components for working with that session again. This also provides one convenient location from which to burn a back-up disc of the session with all of the media. When taking a session to another workstation or someone else’s studio, you must bring the media files as well. But sharing or transporting sessions is a little more complicated than that. First you need to make sure that you are not using a session file that has been saved in a version of the software that is newer than the software of the studio or workstation you’re moving to. For instance, although a session from Vegas 6.0 will work in Vegas 7.0, a session from Vegas 7.0 will not work in Vegas 6.0. You also need to verify that the other studio or workstation has the same plug-ins that you used in the session. If not, you won’t be able to use those plug-ins or effects.” “Copying media files from sessions is a perfect way of future-proofing your mix. You’ll be able to tweak the session or even add or remove tracks at a later date. And with 5.1 surround sound becoming more and more popular, you never know when you might want to revisit an old stereo session and remix it into a surround mix.” Excerpt From: Viers, Ric. “Sound Effects Bible: How to Create and Record Hollywood Style Sound Effects.”
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